![]() L–R: Lin-Manuel Miranda, Phillipa Soo, Leslie Odom Jr., and Christopher Jackson If you feel your jaw starting to tense up, use some of these tips to relieve jaw tension.Cast members perform selections from the musical at the White House, 2016. Once the “ng” is at a good volume level and a place in your voice you’re happy with, put the words back in, but leave them in that same small, light space the “ng” sat in. Now, try replacing the difficult passages with the “ng” sound, including that last sustain on burn at the end of the song. Sing a descending scale on “ng,” being careful not to push it into a belt but also holding back a lot of air on your exhalation. It’s also a great one because it forces you to work on restricting air in your exhalation. The “ng” sound is very difficult to belt and will most likely put you in a head-mix without your needing to tweak it that much. To find this voice, hover around the pitches the song centers around (lots of A4’s and F#4’s) and try speaking very quietly but without whispering, like you’re in a library. Developing a head-mix is the most important element of this. It’s the quiet parts: the beginning of the song the verse that begins with “I’m erasing myself from the narrative” and the final word, burn, on the A4. Interestingly, it’s not the belty parts of this song that take most of my students the longest to master. ![]() The line should sing, “wi-thunly the memory.”
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